An elderly wom
An elderly woman, a war veteran, recalls her experiences as a member of the all-female bombing squad nicknamed 'Nachtexen' (Night Witches) during World War II
神(�)枪手(�)林浩(hào )天(tiān )在(�)一次(�)刺杀(shā )执(zhí(�) )行中，发现要杀的(de )人(�)(rén )竟(�)是多年前失(shī(�) )散的(�)亲弟弟林，而(�)(ér )亲(qīn )兄弟已是上(�)海(hǎ(�)i )滩有权有势的(�)大佬(�)(lǎo )。兄弟相认，但弟弟已变成心狠(�)手(shǒ(�)u )辣(là )之人，两人(�)之间(�)也(yě )随(suí )之展(�)开角逐。
Since early childhood, Björn has secretly carried an insurmountable fear. When his father dies of old age, he and his four sisters are each left with a video message, that makes him question everything. Director Johan Löfstedt’s extended family play themselves in a heartfelt and unconventional film about life, death and the courage to change
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
《四(�)个春(�)天(tiān )》是一部以(�)真实(�)(shí )家庭生活为(�)背景的(de )纪(jì )录片(�)。15岁离(�)家(jiā )，在异乡漂(�)泊多(✅)年(nián )的(de )导演以(➖)自己(�)南方小(xiǎo )城(�)(chéng )里的父母为(wéi )主(�)(zhǔ )角(�)，在四年光阴里(�)(lǐ )，以(⭐)一己之力记(jì )录了他们的美丽(�)日(rì(�) )常(cháng )。在如诗的(�)乐(lè(⛔) )活慢生活图景中，影(yǐng )像缓缓雕(�)刻出(�)一个幸福家庭(❤)近二(�)(èr )十(shí )年的温(�)柔变迁，以(yǐ )及(jí(�) )他们(�)如何以自(zì )己(�)的方(�)式面对流转(zhuǎ(�)n )的(de )时间、人生的(⛷)(de )得失起落。
Six people bound together by a traumatic experience decide to round off a year of group therapy in style. They join each other once more, traveling up to the Scottish Lowlands for a reunion weekend in a 1970s holiday let. Soon a number of mysterious and horrifying events start to expose the cracks in their relationships, and one by one they discover that trust runs but skin-deep. A night of closure turns out to be far more final than they could have anticipated.
馬賊入(rù(�) )村(cū(�)n )劫掠，九歲男(ná(�)n )孩從(�)此失去母親(�)。親(qīn )戚接他到異鄉(�)居住(�)，新生活真的(de )在(�)(zài )前(�)面等着驚魂未定(dìng )的(de )他？遠山(�)連 綿(�)(mián )，林徑迂迴，故(�)事(shì(�) )彷(páng )彿於路的盡頭(tóu )開始了，無(�)緣無(�)故(gù )在(zài )轉角(�)暫時(�)消失(shī )，拐了一(�)個彎又重(chóng )現(xià(�)n )。夢境(�)和現實界線(xià(❄)n )變(bià(�)n )得模糊之際，男(�)孩所能緊緊擁抱(�)(bào )的(de )，只是亡母告(gà(�)o )訴過(�)他的神話故事(�)(shì )，關(�)於受詛咒的(�)(de )憤怒復仇之神馬勇(�)(yǒng )，關(�)於不知不覺間(�)緩慢(⛺)而實在的成(chéng )長(zhǎng )。佩舒彭德拉(�)辛格(�)(gé )的(de )第二部作(�)品，處(�)處閃現薩耶哲雷(léi )、杜魯福和(�)域陀(�)(tuó )艾里斯的光(�)影風(�)格(gé )，滲透在黑(�)白之(zhī )間，純粹的(�)美，複(�)(fú )合(hé )的痛。
Ever since the death of her first dominant, William Frederick, Emma has struggled to adjust to life as a submissive without him. Unable to form lasting connections with other men, Emma chooses to abandon the lifestyle completely. But, her world is flipped upside down when she meets Mariah, a sassy young woman eager to explore the BDSM world. Seeing much of her former self in this young woman, Emma takes it upon herself to educate Mariah about life as a submissive and volunteers to act as her temporary dominant. However, things become complicated when Mariah grows attached to Emma and wants their arrangement to become a permanent one. Will Emma be able to walk away from the life she always loved and a girl who desperately needs her? Or is there more in the BDSM world for Emma than she ever fully realized?
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